The video shows a state trooper pulling up to a gas station as Jones gets out of his car.
The trooper yells for Jones to produce his license.
Jones bends into his car to get his license and the trooper opens fire and strikes the man.
Jones, in shock, backs away from the car WITH HIS HANDS IN THE AIR.
In a stunning act of inhumanity, THE TROOPER CONTINUES TO FIRE UPON JONES—WHO CLEARLY HAS HIS HANDS UP.
Jones falls to the ground and the fucking trooper yells “Get on the ground!”
The wounded Jones, already on the fucking ground, says to the trooper, “I was getting my license. You said ‘get [my] license.”
The trooper continues to treat Jones as though he were guilty of some heinous crime, talking to him as though he had already been tried, convicted, and sentenced.
He walks over to Jones and tells him to put his hands behind his back.
Jones asks, “What did I do??”
The trooper ignores him and continues to tell him to put his hands behind his back.
“Are you hit?” the trooper asks.
“I think so,” the confused Jones says. “I can’t feel my legs.”
“Why did you shoot me?” Jones asks.
“Well, you dove head first back into your car.”
NO HE DIDN’T. HE FOLLOWED YOUR ORDERS TO RETRIEVE HIS LICENSE.
“I was telling you to get out of your car,” the trooper said.
Yes, but he SHOT Jones at CLOSE RANGE even before Jones had the chance to COMPLY with the BRAND NEW ORDER the trooper gave to get out of the car. He literally FIRED ON JONES WHILE HE WAS TELLING HIM TO GET OUT OF THE CAR.
Born in Hiroshima, 1975. Shintaro Ohata is an artist who depicts little things in everyday life like scenes of a movie and captures all sorts of light in his work with a unique touch: convenience stores at night, city roads on rainy day and fast-food shops at dawn etc. His paintings show us ordinary sceneries as dramas. He is also known for his characteristic style; placing sculptures in front of paintings, and shows them as one work, a combination of 2-D and 3-D world.
Japanese artist Shintaro Ohata (previously) currently has two new sculptural paintings on view at Mizuma Gallery in Singapore. Ohata places vibrantly painted figurative sculptures in the foreground of similarly styled paintings that when viewed directly appear to be a single artwork. In some sense it appears as though the figures have broken free from the canvas. These artworks, along with several of his other paintings, join works by Yoddogawa Technique, Enpei Ito, Osamu Watanabe, and Akira Yoshida, for the Sweet Paradox show that runs through August 10th